wanda landowska造句

• Wanda Landowska's harpsichord playing was " as stimulating as a needle shower ."
• He then studied with Wanda Landowska and Nadia Boulanger in Paris.
• The harpsichordist Wanda Landowska inspired the composition of the Concert champ阾re.
• Aldrich began studying piano in Paris in 1929 with Wanda Landowska.
• The teacher in his principal subject, Wanda Landowska, had a major influence on him.
• He later studied the harpsichord privately under Wanda Landowska.
• Wanda Landowska, the great harpsichordist, once said,'I never practice.
• He subsequently studied harpsichord with Wanda Landowska and musical composition with Nadia Boulanger in Paris.
• He also studied with Artur Schnabel and Wanda Landowska.
• They had studied for many years with Wanda Landowska both in France and in New York.
• He also studied harpsichord with Putnam Aldrich and Wanda Landowska, and organ with E . Power Biggs.
• In the early 20th century, at the behest of Wanda Landowska, it helped to revive the harpsichord.
• Wanda Landowska famously described this variation as " the black pearl " of the " Goldberg Variations ".
• However she was able to continue with musical activity which brought her into contact with Wanda Landowska and Carl Flesch.
• Although the society had limited means, it was able to hire first-rate performers such as Sarasate, Eug鑞e Ysae, and Wanda Landowska.
• Manuel de Falla's " El retablo de maese Pedro " was premiered there, with the harpsichord part performed by Wanda Landowska.
• His job was to catalogue sheet music seized from Jews in occupied Paris, including the personal collection of escaped harpsichordist Wanda Landowska.
• A half-century ago, the Y presented Andres Segovia, Artur Schnabel and Wanda Landowska and provided a home for the Budapest String Quartet.
• Modern harpsichord playing can be roughly divided into three eras, beginning with the career of the influential reviver of the instrument, Wanda Landowska.
• LANDOWSKA . Barbara Attie's film studies the life of the Polish harpsichordist Wanda Landowska, who revived the instrument after a century of oblivion.